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Wisconsin Visual Artists began in the year 1900 as the first professional association of artists in Wisconsin, and has continued for 125 years as an educational, supportive, and connective force for artists within the state. I was recently interviewed for WVA Magazine. My "spotlight" is on pp. 20-23. Or read it below.   
What are you seeing? What are you feeling? Once a painting is finished, my presence as the painter is embedded and reflected in the work, but it's fluid, shifting as different viewers, and you, begin to engage with it in any number of ways. That's the part that can get intimidating.
It means that a significant part of what completes each of my paintings is unpredictable and maybe surprising. It's you! You play a vital role in completing every one of my paintings. Your interpretation of my work gives you the power to delve into and uncover your own emotions and perspectives. This makes my painting a personal space that exposes aspects of you as you search for meanings and mindset. That's always the gift of art. And what you see and feel and express about any artwork, including mine, gives me a view of you, too. When I step back to observe a finished piece, I don’t just see a collection of marks and colors; I see a reflection of the time, experience, movement, and emotion that went into creating it. I see places I've been and where I might be going. And when you stand before my paintings, I hope they speak to you—I hope they become a mirror, revealing something personal, unexpected, and perfectly yours.
I trust my creative process, my curiosity, and my deep respect for the natural world. I like to think of my paintings as one way Nature expresses itself. Examining, confronting, and celebrating Nature and the transience of life through form and movement, I want to share how Nature and time constantly expand and contract all around us, kindling our sense of awe, urgency, and wonder. I hope my work serves as a reminder to be receptive to mystery and change. We'll never understand everything and that's ok. Keep trying, make mistakes, cry, laugh, fall, rise up, never stop learning. This one life, this "self" is ephemeral, yet composed of myriad generations of lived experience carried forward genetically and epigenetically. That just blows my mind. It's why I'm drawn to painting abstracted environments where "self" is fully accepted and absorbed as inherent to the whole. I'd like to live in that environment. So of course I believe that my personal life experience makes its way into my paintings while Nature reminds us that we are all part of something larger. And I believe that when you experience or view a work of art—the creative outpouring of another human—you too, tap into that something larger, bringing your own life experience to the work. Finally, I believe that with or without humans, some form of Nature will endure and I find that comforting. Each of my paintings is a declaration of these convictions and a record of my mercurial adventure through these complex days. See my available paintings here  "Maybe is Enough" 38H x 60W inches on canvas. Tap for price and details.  A little tzatziki for you? Nope, just mixing a little sunshine for my next canvas. Happy New Year! As 2024 comes to a close, I'm reflecting on what a whirlwind it's been and how grateful I am. I’ve had the privilege of participating in several exhibitions and many of my paintings found new collectors in the U.S. and abroad. I was honored as one of 99 international artists selected to the world's leading online gallery, Saatchi Art, “Best of 2024: Paintings.” As challenging and alarming as 2024 has been has been for many of us, I'm holding the stance that challenges are opportunities for growth and change. Looking ahead to 2025, I'm fingers-crossed optimistic. I've already noticed many friends focusing, fine-tuning, and paying attention to help make the world more just and kind, less selfish and greedy. I'm doubling my efforts and hope you will too. As we all reflect on 2024, I wish you peace. Let's make 2025 a year of open hearts, kindness, and community. Your support over these many years means the world to me. Thank you.  "Soft and Gentle" Tap on image for price and details.  It's been a challenging year for artists and others in many ways. During these days of literal and figurative darkness, choosing love over fear, day after day, is a worthy endeavor. Can we begin by sharing our humble gratitude for a moment? Winter's holiday season is a perfect time to foster an attentive "now"—to be active and grateful, to celebrate family and friends and food, and the abundant Earth that sustains us. I am beyond grateful for the privilege of presence, and to you for encouraging my explorations. Your kind words, likes, thoughtful critiques, and support mean the world to me. Choosing love over fear, day after day is not easy. Through my paintings, I hope to remind you of your strength, endurance, and connection. We are strong. We will amplify goodness and kindness. The world needs us. Thank you for being part of my adventure. Please consider shopping handmade this year. Craftspeople and artisans need your support more than the big box or Amazon. Check out your local small businesses. And just in case you want to wow them, tap here to see a collection of my smaller paintings.
 October 2024 on the trail. "Hello & Happy Autumn!" Like many of you, I'm feeling anxious with the times. Taking a mini break from art talk to share a story I wrote a while back feels right. More than ever, the small, consistent kindnesses and rituals that connect us are essential. They make us all better at being human: A couple of miles into a morning hike and I've been jolted from my solitude several times to practice what used to be considered common courtesy—saying, “Hello.” Hikers are a generally a friendly lot, so "hello" can sometimes morph into an actual conversation—what's blooming, what birds you've spotted, often adding an extra moment to scratch a four-legged furry hiker behind the ear. I've chatted with folks whose ancestors used to live on the lands I was walking, hunters out scouting game trails, and kids whose curiosity was infectious. I've never left these encounters without a genuine good feeling. So when did it become okay to pass within a few feet of another human without any greeting at all, essentially pretending they're not there? I'm not talking about bustling city streets where greeting passersby is impossible and even weird. People are starting to use isolating, big city behavior out in the woods. I don't like it and here is my rule- you don't get to pass by me on the trail without a greeting. Don't even get me going on people wearing earbuds or talking on their phone. You're still going to get my attention, like it or not. (And by the way, you're missing an incredible symphony of soul-soothing wild sounds and interactions.) Paying attention to others in small ways, like saying "hello," matters. It's an affirmation. It signals respect. It takes time, and sometimes, courage. Offering a greeting requires a willingness to be open and to learn something new. Paying attention to ourselves, our surroundings, and each other is a foundation of healthy being, and indeed, a healthy society. So please don't think walking by your fellow humans without a greeting is normal. For most of us, in many circumstances, it's not. It's a symptom of societal “dis-ease," disconnection, and distraction. Civility, courtesy, even “common decency,” call it what you will. Please pay attention to others along your path. Kindly acknowledge them. A simple “hello” will do.
 "Dusk," by Michelle Louis.  "Dawn," by Michelle Louis. The angle of light, the intensity of color, even the feel of the air goes from cottony-thick to crisp as the natural world prepares for winter here in the north. My recent paintings dive into light, color, and the flow of time as we move through seasonal change.
Influenced by that time of day just as the sun has set but before the stars are revealed in the night sky, "Dusk" quietly revealed itself over many weeks and layers of color. When it was done I immediately started work on another canvas. It was developing a similar feel but with a distinctive palette that included lots more whites. I recognized the luminous quality of the early morning sunlight from the hikes I hustle to get in before the harsh glare and heat of day. As I worked the surface of the second painting with planes of transparent color and subtle figurative references, the work of Michelangelo began looping in my brain, focusing on his exquisite allegorical figures in the Medici Chapel and mausoleum in Florence that I visited decades ago. To me, his monumental "Dawn" and "Dusk"—along with "Day" and "Night"—epitomize the awareness that nothing in life stays the same. They are the essence of the symbolic transition from substance to spirit. Comparing my paintings to Michelangelo's work would be laughable, but it is somehow okay with me that I named the second painting, "Dawn." And so I present to you my own "Dawn" and "Dusk." I hope Michelangelo, in his own exquisite marble tomb at the Basilica of Santa Croce in Florence, is not offended :) You can see details of my paintings, including price here.  New work— "Shifting Priorities," 44h x 32W inches on canvas. Out in the meadow, midsummer's peak wildflower explosion of colors is over. Now yellow runs the show. Silphium and Big bluestem still tower overhead, dripping cool morning dew onto my face as I brush past. Red is just beginning to touch the leaves of the sumac. Cicadas buzz. Bluebirds gather. Unhappy to have her nut-burying extravaganza interrupted, a flustered squirrel is scolding from the upper branches of an old oak. Even though I may not be ready for summer to end, summer doesn't care. Autumn is looming, ready for her turn. And that's okay. I love autumn too. I love living in a place with four distinct seasons because it means change is always at the doorstep. And sometimes getting out that door requires a shovel. "Shifting Priorities," is a recent painting resplendent with the aura of a new day full of possibilities, light, and color. Its uplifting forms and lines have a vibrant movement and feel. Bold, saturated colors contrast with more muted tones. It radiates beauty, confidence, and balance. Tap on the image to see details & price.
 In the studio, what becomes a painting emerges from my life experience of doings, plus paint, add in the evanescence of the moment—touch, scent, sound, sight, even taste. I make things up. I giggle and fret. I cry. I remember, and I aspire. I believe we have the capacity to create a brighter future. Whether we do is up to all of us. Focused introspection, choices, and actions can move us all toward presence and love and balance. Keep going, every day, one step, then the next. Remember to breathe. I'm an optimist. I'm curious. I'm a doer. I'm a believer in inherent good. These days, that might just mean I'm kind of boring and nerdy—basically a focused, thoughtful, mature woman with a strong mind and a healthy positive attitude who's grateful to be able to use what she's got in this miraculous universe. My artworks are a declaration of these convictions and a record of my mercurial adventure.
 "Eclipse | Totality" by Michelle Louis The Sun. No wonder our ancestors revered it. Earth's weather, seasons, climate, and ocean currents are all driven by solar power. This yellow dwarf star, a near perfect sphere of blazing hot gases, holds our solar system together. On April 8, 2024, the moon passed in front of the sun bringing daytime "night"—a total eclipse—to those in the path of totality. We took a road trip to the zone and were not disappointed. The experience was mind altering and life changing. You may recognize that distinctive influence in several of my recent paintings—day versus night, light versus shadows—a whirlwind of time and shape and emotion. My large diptych (two paneled) painting, "Eclipse | Totality" expresses my wonder and joy at the collision of the terrestrial with the celestial with human consciousness. I hope you get a chance to feel it in your lifetime. You can see all my eclipse-influenced paintings here.  In the artist's studio.  Michelle Louis in the studio working on "Look, the Clouds." Please tap the image to see finished painting and price. Do you notice small things that happen in a day? Motes of dust that catch the morning light? A breeze across your cheek on a warm day? The trilling of crickets at dusk? On a good day, I think most of us do. Art in all its forms brings resilience and beauty to a world that needs it now more than ever. It's a reminder that even when the world seems overwhelmingly bleak, beauty and meaning persist. Viewing or creating art is a direct experience of the resilience, inventiveness, and determination that are foundational to the human spirit. Abstraction is intriguing when it nudges us to explore the intangible. Whether artist or viewer, day-to-day life experience makes its way into every artwork.  "Soon," by Michelle Louis. Please tap the image to see details and price.
 "Day to Day" 128W x 62H inches on canvas. Standing in front of a big blank canvas, the magic between now and what comes next is where the action is.
I start with openness to the emergence of something unexpected, unexplainable, and without sketches or specific thoughts. Process-focused, how the natural world communicates with me and how I communicate that relationship is played out on canvas in brushstrokes and synaptic flashes. It's about doing. The natural world is still wondrously cryptic and I'll never stop learning. Recognizing patterns, rhythms, and connections in nature and life is a well-established survival skill of humans and other beings. A good painting reveals things. The “presence” of a finished piece is an exposé of symbiotic, holistic points condensed in time. Whatever time is! Whew. That's a whole other story.  Digital image of one of my paternal great grandmother's quilts with my own digital work. I'm deeply touched and honored to have been personally invited to show one of my ongoing, long-term projects at the Center for Visual Arts in Wausau. It's truly a labor of love and a distinct departure from my painting studio. The 'Piece by Piece' exhibition brings together several contemporary makers to examine their different approaches to quiltmaking and the use of quilting techniques. Displayed alongside are representations of quilts in other mediums that demonstrate how artists can use the visual language of the quilt to connect with the viewer. The exhibition runs from March 27-May 24. 𝗦𝗲𝗹𝗲𝗰𝘁𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁𝘀: Colleen Ansbaugh, Tony Bergeon, Pat Bishop, Rachelle Craig, Maday Delgado, Janet Dietrich, Helen Dolan, Pat Gaska, Mary Hermanson, Debra A Ketchum Jircik, Michelle Louis, Linda Marcus, Heidi Parkes, Hannah Rae, Jean Sredl, and Kelsey Voy The story behind my 'Quilted' project included in this exhibition: Handmade from late 19th - early 20th century flour sacks and cut from worn out clothing, my grandmothers' and great grandmothers' quilting scraps and quilts are objects of artistic beauty. Some of the textiles are more than 100 years old. A sentimental time capsule and labor of love, I have bundles of their quilts and pieces but wasn't sure what to do with them. Digital technology gifted me the answer. Many years ago I began documenting the textiles by scanning and photographing them. It's a painstaking task I tackle when I need a change from painting. More recently I've begun composing and digitally “stitching” the images together, adding my own simple markings to continue the history. Last year I entered some of my digital images in a more broadly based show on technology and art. They were accepted and shown. The curator at CVA Wausau later contacted me wondering if I'd be interested in showing more of this work in an exhibition specifically focused on quilting. I thought to myself, "Could there be a better way to honor my foremothers? Of course I'll put together a collection of images!" These digital images hold memories of the past—family, identity, thrift, creativity, skill, love, and longing—and melds them with our present moment to bring together generations of artful women. And to the generations of women who kept their families warm with their labor, thrift, and love—thank you. I hope if you're in the area you'll stop in to visit, 'Piece by Piece.'  Digital image of one of my maternal great grandma's quilts with my added personal touches.
I'm excited to share a new series I've been working on in a solo exhibition!
Here's the backstory: Last fall I noticed this crazy, spirally vine. I hiked past it many times. I knew it was an invasive species whose desire would eventually smother its host tree. Yet I grew to anticipate and love it in a curious sort of way. Then one day it was gone. And I actually missed it. Even though it was a threat to our native woods. Even though I appreciated and have often participated in the back-breaking work of invasive species removal. I knew it most certainly didn't belong. Or did it? It's the inspiration for this series, after all. 'What Goes Around: Reflections on Nature, Spirals, and Meditative Process,' reaches beyond my beloved vine to honor the hard-working spiral. Ranging in size from 12 to 90 inches, these 15 curvy, acrylic paintings have an honest rhythm that invites a deeper dive with time to linger. Each painting is a call to invigorate your sense of wonder and connection. I couldn't help but put on my artsy naturalist hat for some of the accompanying text. I hope you'll visit the show to learn more. You can view the exhibition from wherever you are simply by tapping 'ENTER.' It's nicer on a large screen, but should work on your phone, too. Tap on any of the paintings for a close up view and on 'Learn More' and 'Buy' for no obligation details and prices. The navigation arrows are tricky at first, but I know you can do it! Thank you!  Another year's gone by and I'm noticing some new folks around here. So first of all—thanks! You can't imagine how much that means. I'm Michelle Louis from Wisconsin, USA. A full-time painter who's also a naturalist. I'm curious about how nature inspires awe, how we feel it deep in our bones, how to express that connection, and what we can learn from it. My perspective has been deeply influenced by opportunities to live, work, and study in rainforests from Mexico to the Bolivian Amazon. At home in Wisconsin, exploring contrasting landscapes formed at the last glacier's edge gives form to a living palette ready for my brush. I tend to work large scale, painting mostly with acrylic on big canvases tacked to my studio wall. My drive to paint is indefatigable. I work hard. And I'm honored to have been recently named by the curators at Saatchi Art, the world's leading online art gallery, to "Best of 2023: Painting." One of the strengths as a painter I've worked to achieve over decades is the ability to silence the constant stream of distraction and self-criticism, connect with earth's natural rhythms, and see what my brush and paint will do. Exploring wild places in nature by myself is another way I'm able to tune in. On these kinds of adventures, I'm more aware of things beyond my usual perception. You might spot them in my paintings. Shapes, lines, and patterns appear, disappear, and then recur. Some make sense to me. Others, not so much. Process-focused, I'm kind of obsessed with how the natural world communicates with me and how I communicate that relationship. I love abstraction as opposed to more realistic work because it challenges my courage as a painter and your openness as a viewer. I especially love painting big because it allows my whole body to join the process, over and over, in silent rhythm. It's so satisfying and has the added bonus of being great therapy for the painful auto-immune disorder I'm working to overcome. I don’t begin with a sketch or specific thought, but with openness to the emergence of something unexpected, unexplainable. Standing in front of a big blank canvas, the magic between this moment and what comes next is where I engage. The natural world is still so cryptic in spite of all we've learned. To gain understanding it's important to recognize patterns, rhythms, and connections. Painting reveals things to me. It’s active. It arises symbiotically, holistically, in repetition. It's points in time that lead to the “presence” of a finished piece. Trained in studio art, graphic design, and landscape architecture, my studio extends to our yard, where I grow oodles of fruits and vegetables, including eight kinds of berries—honeyberries, strawberries, raspberries, aronia, mulberries, goji, kiwiberries, jostaberries, serviceberries. Okay, that's nine. Our yard is also a native plant haven for area wildlife and pollinators. I love being an artist because it helps me connect to you while honoring my kinship to the natural world. And I'm grateful that my work carries nature's harmony and balance to places all over the world, and to you. NEWS FLASH!! I have a solo exhibition coming up and you'll be able to view it wherever you live! Inspired by a spiral vine I saw on my hiking adventures, it's called, "What Goes Around." These 15 curvy paintings are a reminder to keep learning, adapting, and reaching. Life is a dynamic journey of growth and change in a series of interconnected cycles. Stay tuned for more info & the opening mid-February!
 I can hardly believe this year is coming to a close. It's been an up and down, wild ride, for sure. I'm honored and delighted to close out the year on an up note. I've been named to Best of 2023: Painting--one of 82 artists worldwide—by the world's leading online gallery, Saatchi Art. "Every year, our curation team turns a discerning eye to thousands of paintings. Discover the top painters worldwide in our highly anticipated annual selection." -Megan Wright, Senior Curator at Saatchi Art And there's more good news! My virtual exhibition, Balance of Shapes | A Journey West was recently featured #1 Virtual Exhibition at Art Placer. You can see it here. Thank you, everyone. I do what I do because of you. Happy New Year!  My recent painting, "Off the Beaten Path." Where simple gestural lines wend and weave across the canvas creating a sense of playful curiosity to remind us of times we let ourselves get lost and the world is still good. Its layered, monochromatic palette is straightforward. Its movement is energizing.
Airy and simple, yet intriguing. See it here. See the entire "Best of 2023: Painting" collection.
The days have become excruciatingly short. Trees are laid bare, and the harvest is complete. Like other animals, it's time for us to gather. Not necessarily to migrate or hibernate, but to create an attentive "now"—to be active and grateful, to celebrate family and friends and food, and the abundant Earth that sustains us. I am beyond grateful for the privilege of presence, and to you for encouraging my explorations. Support, love, and inspiration—day after day. Thank you, thank you, everyone!!! If you're looking for a one-of-a-kind gift with heart for a very special someone, I hope you'll consider one of my paintings or an original artwork from another artist you appreciate. My work ranges from $500.00-$16,000.00. The works shown on this page are small to medium-sized and ready to hang. Prices include shipping.
Spending time in wild places and making art doesn’t fix the world’s problems but it helps me cope. It builds a palette of colors and emotions ready for my brush. It's a gift, not a luxury. Art in all its forms (visual, dance, music, theater, writing, etc.) brings resilience and beauty to a world that needs it now more than ever. It reminds us that even when the world seems overwhelmingly bleak, beauty and meaning persist. Art is a direct experience of the resilience and determination that are foundational to the human spirit. We each embody this strength of the human spirit. That’s no small thing and I’m so grateful. Art is not a luxury. Spending time in nature is not a luxury. You are worthy. Keep going. See my available work here.
 "Chroma Glow" lights up the studio. Tap photo for details. Creativity is a superpower for problem-solving and turning everyday moments into adventures. Whether contemplating the next masterpiece or just doodling on a napkin, creativity adds that extra zing to the day. So many people say to me, “But I'm just not creative.” I call b.s. Being creative is all about opening your life to the zing. That's it. Everyone has the capacity to be creative in their own way. It's more about finding time, setting priorities, and letting go of ego. We're all constantly walking on the edge in a world on the move, so finding time to nurture our creativity is a real struggle. But it's essential for our well-being and personal growth. Cultivating creativity is not just about finding time; it's about prioritizing your own growth and well-being by adding beauty, depth, and a sense of wonder to your days. Here are five simple tips to help you make room for creativity in your busy life.
See my available work here.  "Endless Forms Most Beautiful" 60H x 46W x 1.5D inches. Tap photo for details. 
Things are getting busy and I'm grateful. You can see 3 of my artworks now through Oct. 28 at the juried, "The Medium is Technology," exhibition at the CVA (Center for Visual Arts, Wausau). In Madison, I have 2 colorful abstracts in the Wisconsin Visual Artists Member Show at the University of Wisconsin Hospital through Sept. 29. I'm also honored and delighted to be a "Curator's Pick" for the summer edition of Women United Art Magazine. You can pick up a copy here. Heartfelt thanks for choosing my work to new collectors from Asia, the California Coast, all across the U.S. to the East Coast & NYC, and Europe. Whew! And thanks Saatchi Art, Singulart, and Troxel Art Projects / 1st Dibs for doing a fabulous job promoting my work. I really, truly couldn't do it without you! You are magnificent and I appreciate you all! Fun Fact: I have artworks on every continent except Antarctica . Tap here to see my available work. The paintings in this post are some that have found new homes so far this year :)
 In the studio working on "Floating Through." Tap on image to see details.  "Sprightly" and "Kinetic." Tap on image to see details. My artistic path has been shaped by my curiosity, a basic understanding of science, and a belief in the power of inherent good that was passed down to me through my ancestors. In my practice as a process-based painter and my observations as a naturalist, I explore pattern, connection, and balance in the natural world. Like many of us, I'm not feeling a whole lot of balance or connection in the human part of the world these days. Here's a fact as we shatter records for high temperature, and with a body politic that's, mildly put, deathly ill: a world that includes humans cannot tolerate this volume of narrow-mindedness, hostility, procrastination, greed, and narcissism. We're the unique species that delivers an excess of all these things into the world we share with many beings. We create our reality every time we put those things into the world whether it's in the form of speech, though, or deed. It's bad energy, people! What are we doing?! Strengthening and rebuilding frayed connections with the natural world and with each other is not an option, but a glaring necessity. I know a lot of people believe we've passed the point of no return, that our future of doom and gloom has been signed and sealed by our own complacency and greed. Well that doomy attitude is getting us nowhere and is building a culture of helplessness that's possibly worse than being a denier. Being a doomer supports fossil fuel's vested interests and political hacks by default. It shuts us down while myriad solutions are at hand begging to be implemented. We have the capacity to create a brighter future. Whether we do is up to all of us. Focused introspection, choices, and actions can move us all toward presence and love and balance. Is that really so hokey? Leaders need to lead, governments need to act, and individuals must lean in hard to support necessary change. The flip-side, doom and gloom, gets us nowhere. It's not about coups or revolutions or right or left. It's about working together toward a new common good in a diverse and changing world. Keep going, every day, one step, then the next. Remember to breathe. And since this is a blog that's supposed to be about my art stuff, yes, I'm an optimist. I'm curious. I'm a doer. I'm a believer in inherent good. I'm basically a nice, invisible older woman with a strong mind and a healthy positive attitude who's grateful to be able to use what she's got. My artworks are a declaration of these convictions and a record of my mercurial adventure. The mixed media abstract miniseries on this page considers the enduring strength of the natural world and our faltering connection to it. Color, forms, texture, and line reveal possibilities of love, life, absence, presence, and longing. With or without us, nature reigns and endures. Balance. The work in this series was created with quality materials left over from other projects, on natural wood, and cotton canvas. Process focused, I created them without plans or sketches, instead rendering them in the moment from an open mind. They serve to remind you of your own strength, endurance, and connection. They invite you to amplify your inherent goodness. After I'd finished this blog, my friend, Amy, sent me this article by Rebecca Solnit, "We can't afford to be climate doomers." She's one of my faves. I just read the article and it's fantastic. You can read it here. She's such a good writer! See more of my work / shop here.
 "Quieter" 43H x 33W inches on canvas. Tap for details.  "An Eye for Color," 79W x 56H inches on canvas. Tap image to link to details.  Happy Summer Solstice!!! I truly hope you have a chance to make the most of this time of year. Here in the studio, I'm feeling the light. My above painting, "An Eye for Color," is a luminous abstract of boldly colored organic forms and gestural line creating a lively sense of space. Its rich palette of bold brights—sky blue, greens, yellows, reds— is striking and healing. This past week, a new mixed media series began to emerge and so far, it's also a festival of color, but in in oil, acrylic, and graphite on wood and canvas. It's fun to see where each of these explorations lead. Stay tuned to see what comes next. At this point, your guess is as good as mine! Outside the studio, an unusually dry spring and early summer has drought conditions continuing into late June. Even the garden weeds seem to be keeping themselves in check. The good news is no mosquitoes. How are things where you live? Enjoy these longest days of summer, my friends! See my available paintings here
Detail shots from some new works in progress. Stay tuned to see how this series comes together.
Whoa. What happened to May?! I just returned from some time off to visit some of my favorite people in Colorado. And all of the sudden it's nearly June and I've got a lot of catching up to do. So this month's blog entry is going to be brief.
Meanwhile, have a look at the details of these two recent paintings. Simply tap on the photos and follow the link. Thanks! Here we go, SUMMER! Enjoy. You can see all of my available work by tapping here.  Bring on the tulips! An icon of early spring, tulips are cherished for their beauty and elegance. As you might guess, the flowers symbolize rebirth and renewal, giving us a much needed fresh start after a long winter. In the language of flowers, petal color also has a distinct meaning. White tulips symbolize peace. They also symbolize honor and forgiveness. And dreams about white tulips mean you're about to experience a new beginning. The white tulips you see in a few of my recent paintings weren't planned. Having them take shape several times makes me wonder about the subconscious mind. As with all of my paintings, I don’t begin with a certain thought, sketch, or direction, but with being open to the emergence of something unexpected, unexplainable. It's fun to see what happens. The above painting. "White Tulip," is an exclamation of gestural lines, shapes, and brilliant colors bursting with energy and life. In the paintings below, white tulips calmly appear in a satisfying tangle of loops and curls. Having only recently noticed the three paintings all had white tulips in common, of course I'm thinking, "White tulips, eh? Is there someone I need to forgive, or worse, something I've done that needs forgiving? Or is this a simple desire for peace and renewal? Hmmm." I'll keep thinking about it and let you know. Spring tickles my wild side. I hope it gives you the urge to create something or plant something or just do a little dance and be embraced by the energy of the season. You can see all of my available work here.  "The Grace of Living Things," 45 W x 60 H x 1.5 D inches on canvas. Tap on image to view details.  "Pure and Simple," 67 W x 40 H x 1.5 D inches on canvas. Tap on image to view details. |
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Artist and naturalist Michelle Louis has a vigorous curiosity about the natural world. Her energetic, investment-quality paintings bring balance and harmony Archives
April 2025
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